When you think of DMX, rabid energy and the unfiltered truth come to mind; a rapper who wore his scars on his sleeve and delivered anthems that stirred souls and rattled speakers. Yet, alongside his street-level stories, DMX has always had another defining hallmark - his faith. Across his first six studio albums, the Yonkers legend wove prayers into his music, giving fans a glimpse of his inner battles, his spiritual reflections, and his connection with a higher power.

Now, with Let Us Pray: Chapter X, that spiritual side takes center stage. Grammy-winning songwriter and producer Warryn Campbell, known for his ability to cross styles seamlessly, gives DMX voice from the beyond to create a project that’s equal parts heavenly hip-hop and gospel soul. For the first time, DMX’s iconic prayers are set to music, creating something that’s both heartfelt and groundbreaking. Campbell’s production breathes life into the prayers, blending church organs and soulful choirs with booming 808s and head-nodding beats. It’s a collision of worlds that feels as natural as it is bold. DMX’s gravelly voice, a hallmark of his persona, takes on a preacher-like cadence, commanding attention with conviction.

The guest list is as impressive as it is eclectic, reflecting the universal appeal of DMX’s message. Killer Mike brings his southern fire to the pulpit, Snoop Dogg delivers his laid-back wisdom, and Lecrae, a trailblazer in faith-based hip-hop, offers a spiritual counterpart to DMX’s intensity. MC Lyte, a pioneer in her own right, adds a touch of timeless elegance to the mix. Tracks like “Rescue Me” and “Heaven’s Gate” showcase DMX at his most vulnerable, ruminating on redemption and his unshakeable belief in God’s grace. Meanwhile, anthemic cuts like “Battle Cry” and “Victory Lap” remind listeners that faith can be as much about triumph as it is about struggle.

In a genre often defined by bravado and materialism, Let Us Pray: Chapter X is a refreshing reminder of hip-hop’s spiritual roots. It’s a project that transcends earthly constraints, crossing genres, generations, and beliefs. It feels very much like a return to the core of what made DMX a voice for the voiceless.