Your phone, your TV, your computer – who (or what) is watching you? It’s an oft-asked question in the digital age and one that the Paranoyds echoed when it comes to the origins of their name. Part of a generation immersed in oversharing and ease of surveillance, the Paranoyds know better than anyone, it’s scary out there. But the band’s fearless pursuit of a good time won’t stop them from crafting the kind of gritty, Southern California garage rock that refuses to hide.

Fueled by the fiery energy of their live shows, the band are unafraid and unapologetically in perpetual pursuit of a good time. And their new album, Talk, Talk, Talk gives the band space to expand, evolve and above all, have fun. Their singular sound and ability to surprise listeners is what’s driven this new record. You’ll be hard-pressed to find two songs that sound alike. Considering each of the band’s four members are drawn to everything - groovier R&B, lo-fi punk, fun, fuzz-pop, and jazz - they’re able to create a bold collage throughout their music.

Talk Talk Talk is largely a combination of sci-fi and sentimental songs penned by the group. Lead single “Lizzie” has a robotic nature that evokes DEVO and Industrial Hammer Factory with the warmth of lo-fi punk vocals. The group takes jabs at the absurdity of the current reality and the “5G” future. “LA 2032” is futuristic guitar-pop that pulls the group’s candy-coated vocals into focus. The band pivots from looking ahead to nostalgia on “Sunburn” - an oldie but goodie that pays homage to the high-energy, carefree music scene of their beginnings.

Like so many others, the pandemic brought about unexpected change for the Paranoyds - both good and bad. Before the pandemic, the group was invited to perform at a Third Man Records showcase at SXSW. The opportunity ultimately led to the group signing to the label in 2021.

Talk Talk Talk is rooted in the life-altering transformation they experienced since 2020. The process began back in April 2020 when they drove to San Francisco to record seven demos from the album at John Vanderslice’s Tiny Telephone Studios. There, the band’s unbreakable friendship was tested once again as they ended up crashing at the studio for a week with no air conditioning or showers.

The time and space they were able to take (in and out of that studio) allowed them to grow and find confidence in experimentation. “You can tell the intention and the delivery is just a little bit more matured,” says the group's Staz Lindes. While the foundational elements that have always been at the core of the band’s music remain, the band felt much more comfortable toying with experimental sounds, like sampling, setting up multi-layered drum tracks, and including tons of vintage synthesizers, for instance. It helped that the band enlisted Froth bandleader JooJoo Ashworth (Automatic, SASAMI, Dummy) as producer to re-record the tracks they initially demoed at Tiny Telephone. “He understood our band and the intention behind all of these songs - it was really just good vibes from start to finish,” adds bandmate, Laila Hashemi.

The Paranoyds have the kind of connection people only dream of: as non-biological sisters who have known each other longer than they haven't and speak a language that no one else can understand. With a bond that began in preschool, Hashemi (keys/vocals) and Lexi Funston (guitar/vocals) were always inseparable, so when they met Lindes (bass/vocals) in ninth grade, it felt like they had known her all along. After all, they were a “package deal.” In high school, they began making music together in a friend’s laundry room and their relationship just blossomed from there. When it came time to add in a drummer, David Ruiz fit in like he had been there all along. It's that special bond that has solidified their relationship as bandmates who connect seamlessly to one another’s energy on stage.